C
Not a great plot, but a likeable book.
Tey’s second book, seven years after The Man in the Queue, and much better. Again, it’s a straightforward detective story, with Grant thinking of himself at one point as ‘just a hard-working, well-meaning, ordinarily intelligent Detective Inspector’—like French or Poole! The murder is that of an actress, who never really comes across as a personality, because she’s dead before the story begins, and suspicion falls on a neurotic young man who is helped by a woman (the excellent tomboy Erica Burgoyne) to run away from the police (just like Queue), nearly causing Grant to have a nervous breakdown. The solution is out of left field: ***a fashionable fortune teller foretells the murder and then commits it to boost her reputation***. Only Gladys Mitchell could pull a plot like this off. The murderess’s descent into full-blown insanity recalls Allingham’s Death of a Ghost.
· Adapted (very loosely) for film by Hitchcock as Young and Innocent.
· Part of line of late 1920s arty women: Allingham, Dane / Simpson.
· Anti-Semitism: 51–54—but two characters (one a Jew) help a Jewish political refugee to get into England.
Nick Fuller.
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